I wish I could find more of the older tracks I’ve done. It’s really cool to think back on the stuff I used to make and to reflect on how it evolved without realising it. “Thanks man! Yeah, it was all about having fun, just experimenting. You’re 23, which is obviously still young, but you’ve been making beats for ten years or so. There’s a lot of focus on the youth of producers that are discovered. I’m just usually pretty relaxed when I’m working on beats. Is there a particular mindset you put yourself in or does it just happen for you? Today I was in there 7 to 11am, then again about 2:30 – 5pm working on a remix.” I’m used to it though, so it works for me. “I never have a steady schedule for getting in the studio, I just go in whenever I have time so it’s kind of all over the place. How do you approach music around your day? What is your timetable like, and how do you fit it in? I used to work as a personal trainer for a couple years before I started the therapy program, but I love it now.” Has medical work always been an interest? “It’s been great, off for the summer so I can finally focus more on music!”

But i got a new computer and new studio set up so I’m back to work.” So far I haven’t been able to recover any of my files. No tracklist, but Gucci Mane, DMX and more feature.ĭid you manage to get your computer fixed? It took a while to happen due to Clams’ computer dying, but it’s here now and we’re very excited to host it. While reading said interview, you can download his mix for FACT. But, as page two’s interview with Clams will show, it’s all just beats to him. Appropriately, it sees him move even further away from the straighter structures associated with most rap productions, and start to really hone a new sound a clipped kind of Amazonian industrial. This week, Clams releases a new solo EP, Rainforest. Turns out without vocals, Clams’ instrumentals – often lo-fi, cold, and haunted by female vocals stretched to breaking point – only shone that much brighter.

The New Jersey producer was already making a name for himself on the strength of his rap beats for Lil B, Soulja Boy, Main Attrakionz and more, when at the start of this year he released a remarkable free instrumental mixtape. If FACT was GQ (we wish), and did a Man of the Year award, Clams Casino would be pretty near the top of 2011’s contenders.

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